From top to bottom – Bill Murray as Big Ern in Kingpin, Alfred Hitchcock, Bon Iver and Caroline Aherne. Check out more from Dunstan Doodles here.
As I get older and busier, I feel it is only right I take things a bit easier and just pick ten favourite albums this year. Don’t get me wrong, it’s been a great year for music, it’s just that ten seems a bit less daunting than the usual twenty as I sit here arguing with myself.
2016 saw the return of hip hop legends A Tribe Called Quest and De La Soul and great new albums from Slacker Shack favourites like Bon Iver, Future Of The Left, King Gizzard & The Lizard Wizard, Danny Brown, Aesop Rock and Cate Le Bon. All on fine, fine form.
As far as new artists go nothing’s cracked my top 10. There’s been loads of great music from debutants like Swedish producer sir Was (who’s sound is intriguingly described by his label, “as though D’Angelo and Prince threw David Crosby into the studio with Tame Impala and Talk Talk’s Mark Hollis”), 4AD’s latest quality find, Pixx, Toronto indie-rockers, Weaves and The Magnetic North with their excellent concept album, Prospect Of Skelmersdale. But nothing that quite squeezed in.
So, my top ten. I like to think it’s a vaguely eclectic mix (variety is the spice of life and all that). Firstly, there are brilliant sophomore releases from Morgan Delt (Phase Zero) and D.D Dumbo (Utopia Defeated). The former is a truly joyous album, all psychedelic curiosity and playfulness – a retroist summer of love album that gurgles and floats without ever seeming kitschy or forced.
Two British albums make the cut. Cate Le Bon returned with Crab Day, and I had the pleasure of seeing her live earlier in the year in Manchester. The album is a heady mix of Magic Band jerkiness, Kate Bush meets Nico wonderment and gloriously skew-whiff melodies, and I’ve had it on heavy rotation for months. The second British pick is The Future Of The Left’s latest, The Peace & Truce of Future of the Left. Lead Leftie, Andrew Falkous remains not only one of my favourite current lyricists but one of the best of the past 15 years. A sardonic wit underpinned by a chugging post hardcore malevolence, his band’s latest album, might not quite reach the dizzying heights of a couple of it’s predecessors, but it’s a fascinating and humorous growl of a record nonetheless.
As far as rock music goes the real stand out album this year was King Gizzard & The Lizard Wizard’s psych-rock chug-a-thon, Nonagon Infinity. I’ve loved their last three albums (particularly last year’s Paper Mâché Dream Balloon), but Nonagon Infinity just turns the amps up to 11 from the off and stays there.
2016 been a good year for hip hop too. Albums by Kool Keith, De La Soul, Pusha T, Kendrick Lamar, Anderson Paak, DJ Shadow, Open Mike Eagle, clipping. and London’s very own, Skepta, were all whiskers away from my top ten. Three albums did make it onto the shortlist though.
Firstly, Danny Brown’s Atrocity Exhibition – an album that widens his sound palette further, pulling in everything from trap to free jazz, and from grime to dubstep – all of it smothered in Brown’s nasty rasp and hyperactive flow.
My next pick is the latest album from one of my favourite rappers of the past fifteen years, Aesop Rock. The Impossible Kid is probably Aesop’s most accessible album to date without losing any of the verbal dexterity and poetic wordplay that have graced his previous albums. This time though there’s less abstract thought and surrealism and something all together more autobiographical.
My final hip hop choice is A Tribe Called Quest’s glorious return, We Got it From Here… Thank You 4 Your Service. With the untimely death of founding member, Phife Dawg, the album was always going to come with a lump in the throat and a tear in the eye, but what gets you is the overwhelming joy of it all from start to finish. The people making this album clearly loved being involved, everyone just bounces and buzzes off each other and it acts as a mighty epitaph to Phife.
Penultimately, one album I’ve only really found and got into over the past month is Nicolas Jaar’s, Sirens. It’s a fairly sprawling affair but after a few listens it becomes a wide-eyed and cinematic landscape of an album. Cherry picking all kinds of influences it’s held together with a kind of electro-jazz wizardry. It thrills both the beard stroker and foot tapper in me simultaneously. Given a few more months of frequent listens and it might even have grabbed Slacker Shack’s coveted (pfft) top spot!
So, onto the winner – Bon Iver’s 22, A Million – Slacker Shack’s album of the 2016. It was a far odder album than I expected. Something more experimental and abstract than I’d envisaged and in many ways it’s a beautiful album of opposites and gentle curveballs. Justin Vernon’s lyric’s are oblique and obtuse but there are pockets of tender, personal snapshots and warmth. Vernon even manages to make his heavily processed vocals sound touching and soulful like an alien Neil Young. Some reviewers have compared it in spirit to Radiohead’s Kid A and I can see the comparisons. Both have an electronic, experimental and alien approach but both have a real soulfulness and soft underbelly too. At times I’ve listened to 22, A Million on repeat, getting gently hypnotised by it all and lost in all the strange glitches and gurgles. I love it.
Bon Iver – 22, A Million
Nicolas Jaar – Sirens
A Tribe Called Quest – We Got it From Here… Thank You 4 Your service
Aesop Rock – The Impossible Kid
Morgan Delt – Phase Zero
King Gizzard & The Lizard Wizard – Nonagon Infinity
Cate Le Bon – Crab Day
Future Of The Left – The Peace & Truce of Future of the Left
Danny Brown – Atrocity Exhibition
D.D Dumbo – Utopia Defeated