In this latest installment of Slacker Shack‘s Top Five blogs, we delve into albums that offer us glimpses into alternate future worlds. Albums set in both the near future and many, many years from now. Here’s our five:
In at Number Five is Klaxons‘ “Myths Of the Near Future,” a forgotten (and sometimes mocked) gem that propels us into a neon-soaked future. Released in 2007, the album blends elements of new rave and post-punk, creating a sonic landscape that feels both nostalgic and futuristic. Tracks like “Golden Skans” and “Atlantis to Interzone” capture the essence of a vibrant and chaotic future, infusing futuristic concepts with an infectious oddness.
At the Number Four position, we’ve plumped for David Bowie’s iconic, “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.” Released in 1972, Bowie’s androgynous, alien Ziggy changed the rock landscape forever. Set against the backdrop of a crumbling Earth, the album explores themes of identity, fame, and impending doom. Much of the album was originally planned as a musical, which helps keep the loose concept together, and helped shape it into the masterpiece it is.
In the Number Three spot, we delve into the electronic realms of Kraftwerk’s “Computer World.” Released in 1981, this innovative and iconic album serves as a pioneering exploration of the symbiotic relationship between humans and technology. With minimalist yet infectious beats, tracks like “Computer World” and “Pocket Calculator” not only showcase the band’s electronic prowess but also foreshadow the increasing integration of technology into our daily lives.
Beaming into the Number Two position is the futuristic hip-hop odyssey, “Deltron 3030,” a collaborative effort led by Del the Funky Homosapien, Dan the Automator, and Kid Koala. Released in 2000, the album catapults listeners into a sci-fi narrative set in the year 3030, where Deltron Zero, the protagonist, battles corrupt governments and oppressive regimes. The seamless integration of Del’s sharp lyricism, Dan’s innovative production, and Kid Koala’s turntablism crafts a rich and immersive sonic universe. “
Taking the coveted Number One spot is Radiohead‘s groundbreaking masterpiece, “OK Computer.” Released in 1997, the album serves as a prophetic exploration of a dystopian near-future dominated by technology. Thom Yorke‘s haunting vocals and the band’s experimental soundscapes create an immersive experience, echoing the anxieties and uncertainties of a world on the brink of technological overload, and tracks like “Paranoid Android” and “Karma Police” resonate with their timeless critique of societal disconnection, making “OK Computer” an enduring testament to the eerily prescient nature of Radiohead’s musical foresight.
What’s your Top Five?